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Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms's most "absolute" works.
|Utgitt||2012||Forfatter||Peter H Smith|
INDIANA UNIVERSITY PRESS
|Antall sider||336||Dimensjoner||16,2cm x 23,8cm x 3,2cm|
|Vekt||630 gram||Leverandør||Bertram Trading Ltd|
|Andre medvirkende||Heather A. Platt, Peter H. Smith||Emner og form||Individual composers & musicians, specific bands & groups|