The Soul of Film Theory (BOK)

Sarah Cooper

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In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo Munsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Amedee Ayfre, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science.

Produktfakta

Språk Engelsk Engelsk Innbinding Innbundet
Utgitt 2013 Forfatter Sarah Cooper
Forlag
INGRAM INTERNATIONAL INC
ISBN 9780230365131
Antall sider 224 Dimensjoner 14,3cm x 22,3cm x 1,5cm
Vekt 410 gram Leverandør Bertram Trading Ltd
Emner og form Film theory & criticism, Philosophy: aesthetics